Four Seasons Under One Sky: Arts as a Collective Approach to Creativity and Healing in South Africa Four Seasons Under One Sky: Arts as a Collective Approach to Creativity and Healing in South Africa

Guest post by:

Marlize Swanpoel

Co-Founder & Director, sp(i)eel arts therapies collective (Cape Town, South Africa)

sp(i)eel is an arts therapies collective (including drama, music, dance/movement, and art) of arts therapists, applied arts practitioners, and arts activists addressing intergenerational and complex trauma in South African communities. Over two centuries of colonialism and the oppressive regime of apartheid has left a nation grappling with systemic inequity and intergenerational trauma. Ongoing poverty and high incidences of violence and crime coupled with a dire lack of mental health services are contributing to complex and ongoing trauma, with more than a quarter of South Africans suffering from probable depression (Craig et al, 2022). This mental health crisis our country is facing is a systemic issue, not an individual one, and it needs a collective response. Our approach to mental health is culturally informed and sees people as each other’s greatest resource and source of support. As a result, our ultimate goal is to develop collective resilience that can affect social change.

Our name, spieel, is derived from two words that have different meanings in the Afrikaans language: “to play” or “mirror”. To “play and mirror” speaks to several reasons for our use of art as a healing tool. It refers to the function of the arts as a mirror to society for expression, reflection, and understanding. It also speaks to the therapeutic aspect of art therapies, where an art form is applied as a mirror to Self for exploration and understanding. Furthermore, it is through the playful nature of the arts that we can connect with our innate creativity.

It also speaks to the therapeutic aspect of art therapies, where an art form is applied as a mirror to Self for exploration and understanding.

In South Africa, access to therapeutic arts programmes is limited and not accessible to everyone. We aim to enable accessibility to the intentional use of various art forms to further have a positive impact on general health, wellbeing, development, and transformation for all.

Given our deep connection with the arts, our story and impacts can best be shared visually. This photo essay illustrates the journey of healing and wellbeing experienced through our Families and Collective Futures programme. It is a resilience-focused, trauma-informed programme that applies the arts and creativity to build psychosocial support systems. These systems are created through research (in collaboration with Brunel University), training, and the implementation of arts-based groups for children and their social circles.

The journey of this programme is presented within the frame of one of our core guiding metaphors: the four seasons. It represents the following. Firstly, just like the seasons, our mental health and wellbeing are not in a fixed state. We experience constant ups and downs. By accessing tools such as embodied awareness, reflexivity, and regulating skills, we can support ourselves and each other to navigate through these seasons of illness and health. 

Secondly, this metaphor understands mental health and wellbeing in the context of the ecosystem. Communities are made up of people in different seasons of life. Collective resilience implies that the pressure to bounce back from hardship is not the sole responsibility of the individual. When one person suffers, it affects everyone. Everyone plays a role in collective health; as a collective, we are stronger together. 

Collective resilience implies that the pressure to bounce back from hardship is not the sole responsibility of the individual. When one person suffers, it affects everyone.

Lastly, the seasons mirror people’s relationship with nature, and offer a platform to reflect on cultural and indigenous knowledge embracing nature as a source of healing.  

We begin our journey in the season of (re)birth: Spring.

SPRING SPRING

Tending to the Soil So the Seedlings Can Thrive

Three generations of men raise a baby boy in the air. Cerderberg, 2022. Credit: sp(i)eel arts therapies collective

In a community workshop, participants create an embodied image of Spring. A healing-centered approach to intergenerational trauma in family systems involves the adults developing reflective and regulating skills to take care of their own mental health, so that they are better aware of unhelpful patterns of relating in their families and community.

Burning David’s Root. Cederberg, 2022. Credit: sp(i)eel arts therapies collective

Arts activist Gershan Lombard facilitates a ritual of gratitude at the end of a community workshop, with the small children keeping a close and curious eye. Culturally-informed psychosocial practice includes honouring indigenous knowledge and spiritual practices of health and wellbeing to share this wisdom with the next generation.

Summer Summer

Young People’s Shining Stories

A Summer of Self-expression: Making our stories known. Robertson, 2023. Credit: sp(i)eel arts therapies collective
A Summer of Self-expression: Making our stories known. Robertson, 2023. Credit: sp(i)eel arts therapies collective

A group of young women share their story about Summer as a starting point to explore themes of health and wellbeing. It is vital to offer young people multiple ways to share their thoughts and feelings, as words are not always readily available to express their inner worlds. As one participant (grade 11, high school leaner) revealed to us:“You might have noticed that we are a generation that keeps to ourselves, and we don’t trust anyone with our feelings and our thoughts. Especially because we don’t know how to talk about our feelings and our thoughts. You have come to show us that we can also show you through our songs and through our dances how we feel and what we are thinking. And that is freedom.”

Glimmer Boxes shine light on tools for health. Koue Bokkeveld, 2023. Credit: sp(i)eel arts therapies collective
Glimmer Boxes shine light on tools for health. Koue Bokkeveld, 2023. Credit: sp(i)eel arts therapies collective

A young woman creates her “Glimmer Box”, a tool that supports participants to explore what resources are available to them to support their mental health and wellbeing. These include positive relationships, safe spaces, and activities that regulate their emotional states. Some of these are drawn, painted on stones, or represented by found objects in nature and placed in the box as tangible reminders of available support systems. 

“You have come to show us that we can also show you through our songs and through our dances how we feel and what we are thinking. And that is freedom.”

Autumn Autumn

A Season of Trust and Letting Go

Leaning into each other. Worcester, 2022. Credit: sp(i)eel arts therapies collective
Leaning into each other. Worcester, 2022. Credit: sp(i)eel arts therapies collective

A couple rests back-to-back and connects with each other’s breath. Our embodied, trauma-informed practice is drawn from Stephen Porges’ Polyvagal Theory as a way to understand the autonomous nervous system’s responses. This helps us understand our reactions to triggers and to develop tools for regulating and finding safety and connection in the present moment. The couple shared afterwards: “My partner and I are having difficulties in our relationship. This workshop has given us the space to sit and just be with each other, to re-connect, and we were able to talk about things. This had a positive influence on our children and family life.”

Bridging generations. Worcester, 2023. Credit: sp(i)eel arts therapies collective
Bridging generations. Worcester, 2023. Credit: sp(i)eel arts therapies collective

In a workshop for mothers and daughters, mothers embody the support of a bridge, coming together to keep a girl above water. This workshop took place during a time of heavy flooding in the area in which some participants had lost their homes. This role-playing offered a way to express the traumatic experience: “The only way to keep safe is when we all look after each other’s children. We are not alone in this world, and your child is my child,” shared one mother. The embodied work where non-verbal communication is encouraged also supported bonding between mothers and daughters: “Girls don’t open up to parents, this exercise helped us to open up to each other,” said a young participant.

“We are not alone in this world, and your child is my child.”

Women’s circles and cycles. Vlottenburg, 2019. Credit: sp(i)eel arts therapies collective
Women’s circles and cycles. Vlottenburg, 2019. Credit: sp(i)eel arts therapies collective

A group embodies the word “women” in Circles of Support, one of our workshops for women. This workshop explores the female menstrual cycle as its four phases are linked with the four seasons, inviting conversations around menstrual and sexual health, menopause, and mental health and wellbeing. These circles are filled with generational knowledge, beauty, hope, and wisdom. One participant expressed her joy:  “My experience was that I can be comfortable with myself as a woman. And I can express my feelings and accept my body. To be a woman is great!

Winter Winter

Embracing the Wisdom of the Elderly

Offering stories to the next generation. Cederberg, 2022. Credit: sp(i)eel arts therapies collective

A whole community, including the elderly, adults, youth, and children, are enchanted by a storytelling circle. We witnessed a beautiful moment where the children sat and listened to the stories of the elderly, and asked them questions about the history of their community. Such events where the stories of the elderly are centralized, offer a means to narrate collective and cultural history to the next generation.

Glimmer Maps. Cederberg, 2022. Credit: sp(i)eel arts therapies collective

Elderly men create their own Glimmer Maps to identify their “glimmers”: small moments when we are in a place of connection or regulation, which cues our nervous system to feel safe or calm – the opposite of triggers. They are made by tracing a hand on paper, followed by a symbol of nature representing the Self drawn into the palm. Each finger represents a glimmer with prompts from nature, for example: air for breath, fire for warmth, love, comfort and rest, water for movement, and earth for grounding. Finally, we connect the glimmers to our community, and include the name of a person who makes us feel safe.

Concluding Concluding

One Cycle, Inspiring Another

A core element of the Families and Collective Futures programme is the creative methodology. One participant reflected that the manner in which we engaged with them has helped people to come out of their shell, as “ons mense neem nie maklik deel nie” (“our people do not engage easily”). To help ease our participants out of these shells, we understand several contributing factors help create a sacred and safe space where mental health and wellbeing can be addressed:

A scaffolded approach to introduce arts-based work; 

The invitation to engage in any way that feels comfortable;

The knowledge that attendance is voluntary; and 

The modeling of respect, tolerance, and kindness. 

The above learnings speak to a healing-centered approach to trauma and essentially it is a message of hope. When we work within the ecosystem in a culturally-informed way, it creates space for innate and indigenous knowledge to be heard and received. As a result, when we understand that healing is available to everyone and happens in relation to each other, we can create circles of psychosocial support that are resilient enough to affect social change.

When we understand that healing is available to everyone and happens in relation to each other, we can create circles of psychosocial support that are resilient enough to affect social change.

Glimmers of girlhood: Families and Collective Futures are in our hands. Ganyesa, 2022. Credit: sp(i)eel arts therapies collective

We conclude this photo essay with a reflection of a participant on the theme of seasons and the image of a Glimmer Map, made by a young girl. “Every season produces something for the other season so that, in the end, nature can provide for us. Everything is a circle. And we are all part of the cycle.”

About The Author About The Author

marlize_square

Meet Marlize Swanepoel

Marlize Swanepoel is a Dramatherapist and the founding director of sp(i)eel arts therapies collective, an NPO that addresses intergenerational trauma and co-create community-based models of mental health care that are culturally informed and relevant to the South African context. She serves on the Secretariat of the South African National Arts Therapies Association (SANATA) and is a guest lecturer at the University of Cape Town. She is an enthusiastic advocate for the Arts for Health movement in South Africa that speaks to healthcare from a global South perspective. She loves being in spaces of learning, unlearning and dancing.

REFLECTIVE PASSAGE

A Journey of Introspection and Collective Learnings

As a sunsetting community, EN members gifted themselves and one another the time to pause and reflect on their individual, organizational, and collective journey as a Network. This is a testimony of the distilled and harvested wisdom gained from their experiences together.

Join us in this heartfelt exploration where reflection brings us closer, memories are honored, and growth is nurtured. Together, let’s celebrate the Ecosystem Network’s accomplishments while embracing new opportunities on the horizon.

Wellbeing Of The World Wellbeing Of The World

A Global Symphony

“Wellbeing of the World – A Global Symphony” is an international, collaborative music project by composer/inventor Tod Machover and his team at the MIT Media Lab. Over the next two years, the music project will sample perspectives on inner, organisational, societal and planetary wellbeing at the regional Hearth Summits, as well as more generally, all leading up to the global Hearth Summit in 2025. This uniquely exciting initiative aims at exploring through sounds of all kinds how different cultures and communities explore the journey of wellbeing for individuals, organisations, communities, societies and the planet, for the current moment as well as for the future.

With “Wellbeing of the World — A Global Symphony,” Tod Machover, the MIT Media Lab, The Wellbeing Project, and the regional Hearth Summits are launching a new initiative whose ambition is to collect sounds, voices and music from the different regional and global summit locations to create a true world symphony, the very first of its kind. The project is designed to explore and promote wellbeing by weaving together the unique sounds that the different cultures and places around the world select to explore the journey of wellbeing for individuals, organisations, communities, societies and for the planet.

“Wellbeing of the World — A Global Symphony” will culminate at the 2024 global Hearth Summit, with a headline musical performance that brings together this collective and global artistic expression of wellbeing, and will also be expressed in a first-ever, AI-generated “flowing symphony” that will constantly evolve, inviting sonic input and listener preference far into the future.

Throughout the two-year journey, local communities from all the regional and global Hearth Summit locations will be invited to help create this collective story, using software specially designed at the MIT Media Lab.

Sounds can come from professional musicians and amateurs, from people of all ages and backgrounds, and from anything in the environment (human-created or not) that conveys a vivid sense of place and of purpose.

As the sounds are collected, using research currently underway at the MIT Media Lab and under Tod Machover’s creative supervision, the process will combine, contrast and coordinate them to dramatize individual voices as well as collective harmony. The result will be an ever-changing musical piece: the Wellbeing of the World Symphony, a sonic portrait of wellbeing around the world.

Wellbeing Of The World Wellbeing Of The World

At the Regional Hearth Summits

Meet Tod at The Wellbeing Summit 2022

The City Symphonies Model

The model which brought this highly original initiative to life is to be found in the City Symphonies, a project developed by Machover and the MIT Media Lab since 2013, which invited citizens of a specific city from all ages and backgrounds to work together to create its sonic portrait, constructed from contributed sounds ranging from musical to noise, composed to “found,” and from expert to anything. This project was also brought to Bilbao on the occasion of the 2022 Global Wellbeing Summit for Social Change. City Symphonies have not only resulted in powerfully memorable musical compositions, but also have built extraordinary community and cultivated creativity in radical new ways.

About Tod Machover About Tod Machover

Tod Machover, composer and inventor, is Muriel R. Cooper Professor of Music & Media at the MIT Media Lab, where he is also Director of the Opera of the Future Group and Academic Head.

He has been called “America’s most wired composer” by The Los Angeles Times, and “a musical visionary” by The New York Times, and is widely celebrated for inventing new technologies that expand music’s potential for emotional expression, for creating community, and for enhancing health and wellbeing.

Tod Machover’s work has been awarded numerous prizes and honors from organizations such as the American Academy of Arts and Letters, the Fromm and Koussevitzky music foundations, the National Endowment for the Arts, the German and French ministries of culture, the World Technology Network, and Musical America (that named him Composer of the Year in 2016). He has been commissioned and performed by many of the world’s most prominent cultural organizations, including Yo-Yo Ma, the Pompidou Center (Paris), the Philadelphia Orchestra, the Opéra de Monte-Carlo, The Kronos Quartet, and many others. Machover is especially recognized for his groundbreaking operas, including the audience-interactive Brain Opera, the “robotic” Death and the Powers (Finalist for the Pulitzer Prize), and his current opera project, The Overstory, based on Richard Powers’ Pulitzer Prize winning novel about trees and the urgency of recalibrating the relationship between humans and the non-human world.

POETRY READINGSPOETRY READINGS

By Parker J. Palmer

Experience the transformative power of poetry with renowned speaker and author, Parker J. Palmer. Immerse yourself in his soulful recitations as he breathes life into captivating verses that explore the depths of human emotions, nature’s beauty, love’s nuances, and the quest for self-discovery.

Let Parker J. Palmer’s enchanting voice guide you on a poetic journey of reflection and inspiration. Explore our collection now and awaken the senses to the timeless truths found within each carefully selected poem.

“When Death Comes” – Mary Oliver

“The Thing Is” – Ellen Bass

“My Dead Friends” – Marie Howe

POETRY X WELLBEING POETRY X WELLBEING

Harmonizing the Art of Poetry with Mindful Living

Immerse yourself in a world of lyrical beauty and discover the transformative power of poetry as a catalyst for wellbeing. Through expressive words, heartfelt emotions, and profound insights, we invite you to explore the therapeutic resonance of poetry and its ability to nurture the mind, uplift the spirit, and inspire profound self-reflection. Unleash your creativity, find solace in poetic expression, and embark on a journey of self-discovery and holistic well-being.

Join us as we harmonize the realms of poetry and wellness, weaving a tapestry of words that soothe, heal, and ignite the spark within.

TWBS 2022 PERFORMANCES TWBS 2022 PERFORMANCES

Art In Motion

The stage came alive with mesmerizing performances that blended artistry and wellness, captivating audiences throughout The Wellbeing Summit 2022. Dance troupes, theater groups, and musicians graced the summit, delivering awe-inspiring performances that explored the emotional and physical aspects of wellbeing. Through their art, performers expressed the transformative power of movement, music, and storytelling, leaving the audience inspired and uplifted.

I Am Enough – Justin Michael Williams

Songs Of Solomon – Bishop Chantel Wright

The Silkroad Ensemble

Rituals Of Life – Aakash Odedra

Art x TWBS 2022 Art x TWBS 2022

PERFORMANCES, EXHIBITIONS & MORE
The Wellbeing Summit 2022 was an extraordinary convergence of art and wellness, where creativity took center stage to inspire, engage, and uplift attendees. This unique event celebrated the fusion of art and wellbeing, showcasing a diverse range of art exhibitions, performances, and immersive experiences. Let’s take a closer look at some of the remarkable artistic endeavors that unfolded during The Wellbeing Summit 2022.

Art x Wellbeing Art x Wellbeing

Cultivating Wellbeing Through Creativity
Art is a powerful tool for self-expression, fostering self-discovery and understanding. It also sparks empathy, compassion, and social change, promoting dialogue among diverse communities. Whether creating or appreciating art, explore this section for inspiration and discover how art can enrich your life and shape a brighter future.

ART X WELLBEING ART X WELLBEING

Art can have a powerful impact on your wellbeing. Art can have a powerful impact on your wellbeing.

Through our collaboration with Peter Mortifee, Co-Creation Team Advisor for The Wellbeing Project since 2014, we aim to showcase the link between art and well-being through his stunning photography. Peter’s reflections on well-being are captured in his thought-provoking images accompanied by insightful captions, which invite us to pause, reflect, and connect with our inner selves.

Join us on a journey of self-discovery and explore the transformative power of art and its ability to promote well-being!

Don’t Miss Our Latest Updates!

Follow  “Reflections on Wellbeing” in real time at: @thewellbeingp@petermortifee

Explore Peter’s entire photographic work here.

Global Summit on Dance Movement Therapy for Change – Reflections Global Summit on Dance Movement Therapy for Change – Reflections

By: Anubha Agarwal , Research & Learning Manager at The Wellbeing Project

Date: January 2023

Last month I had the pleasure to represent The Wellbeing Project at the Fourth Biennial Global Summit on Dance Movement Therapy for Change in the eclectic and colorful city of Jaipur, Rajasthan in India. 

The two-day event was co-hosted by Kolkata Sanved – a non-profit organization based in India promoting holistic well-being through Dance Movement Therapy (DMT) and Center for Lifelong Learning (CLL), Tata Institute of Social Sciences – a unit of the leading public research university in India.  

The fourth biennale held on January 12-13th , 2023 in Jaipur was focused on exploring the role of DMT and other creative expressions in building our collective resilience for navigating a world that seems to be at a heightened risk of diminished ecological health and well-being. The 2023 Fourth Biennale DMT for Change was attended by a diverse global audience comprising of development sector professionals, including DMT practitioners, Creative Art Therapy (CAT) practitioners, social scientists and public health experts.

With a colorful mix of experiential sessions, workshops, panel discussions and art installations, the Summit events wove together seamlessly in a rich tapestry. While ecological well-being of planet Earth and the looming danger of the climate crisis was the dominant theme at the Summit, the event was peppered with participatory sessions and workshops employing music, visual arts and storytelling to express individual reflections. 

That artistic underlying theme at the Summit was evident, when at the time of registration, each Summit attendee was offered an option to choose a handheld musical instrument ( displayed below ). I found it amusing to briefly fiddle with the wide range of percussion instruments and select one, even though the intended use was not entirely clear to me. It became clear in time as the attendees enthusiastically sounded the percussion tools to endorse a speaker or an idea, infusing fresh energy and cheerfulness into the Summit events in the process. 

Before the Summit, I was unfamiliar with the role of dance movement therapy as a psycho-therapeutic healing practice. Even though it is commonly known that dancing releases mood-enhancing hormones in humans, I was curious to understand how DMT was different in terms of providing subsistence to trauma victims and survivors of violence in our communities. 

While I was quite thrilled to avail an opportunity to experience DMT through an experiential workshop at the Summit, I was also mindful not to participate in the workshop with the possibly unfair expectation to fully imbibe the therapeutic benefits of dance movement therapy. Considering DMT is a therapy, it might need longer duration support and intervention, than joining in one hour and a half long session. Having personally experienced the de-stressing effect of many dance forms in the past despite having two left feet, I was looking forward to experiencing DMT first hand. 

During the workshop, free flowing movements that came naturally to each one of us were encouraged, the underlying thought being that DMT is a safe space where in every individual is free to express themselves in the way they want. In line with this tenet, an unfamiliar yet intriguing section of the workshop encouraged each participant to imagine their physical body as a paint brush and to use their limbs and torso to paint a limitless, imaginary canvas. Shifting my mental lens to think of my physical form as a paint-brush took some getting used to but eventually the infectious energy of the workshop cohort took over.  

I admit to feeling mentally relaxed and exhilarated post-workshop but still curious to understand how DMT could potentially serve as an antidote to counteract violence in our vulnerable communities. In a country like India, society norms can be quite restrictive of womens’ movement outside the society- or family-ordained ‘safe’ physical spaces, so I felt it would have been insightful to know how the DMT practice can support individuals in freely expressing their possibly repressed agency and take better care of their holistic well-being. In retrospect, I think hearing narratives from DMT practitioners who use DMT as a tool to navigate everyday threats to their physical and mental well-being, would have been of immense value in understanding the practice better. 

It is entirely possible that such narratives may have already been shared in the past Summit editions, but as a first-time participant, I missed the absence of such narratives. I did get to interact with a couple of DMT practitioners who mentioned that the practice helps them cope with everyday stress and shift the lens on how they view their lives. 

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One of the key learnings for me during the Summit was the reinforcement that approaches to enhance one’s well-being are quite individualized. Availing the opportunities to experience different expressive art forms at the Summit was a constant reminder that there is no one-size-fits-all approach to well-being. An art therapy that might have a profound impact on one, might fail to put a dent on another individual’s well-being. 

There is also the question of lack of funding to support well-being – the proverbial elephant in the room. However, until the world decided to acknowledge the presence of the aforementioned elephant and fully awaken to the mental health crisis we are in, one of the speakers at the Summit offered a slightly simpler solution to cope, “Art therapy is expensive… a good place to start is to start noticing what art tools you have easy access to at home such as fallen leaves, spices or other readily accessible elements of nature often overlooked. Art material could be taken from elements that are part of an individual’s environment or identity.” 

The two-day DMT Summit for Change feels like a great step in the right direction as such gatherings help mainstream conversations on mental well-being and facilitate the oft-forgotten human connect. Overall, the two days left me feeling happier, joyous and craving for more opportunities to rekindle the deeper human connect, that often gets overlooked in our everyday lives, but that such events help us remember. 

The reigning emotion for me at the end of the two-day art-based DMT for Change Summit and 2022 The Wellbeing Summit was that of HOPE. Hope for mental well-being taking center stage at a global level, specifically in cultures that in the aftermath of the pandemic are slowly opening up to talking about mental health and well-being.