In collaboration with Vuslat Foundation, Generous Listening will be put forward at The Wellbeing Summit as one of the essential elements of wellbeing and a way to deepen our connection with ourselves, each other, and nature.
Generous listening is the practice of listening, to oneself, to one another, and to nature – with an open mind, with compassion, and without prejudice or agenda. It is the ability and willingness to expand our horizons, reach insight and enlightenment, and form empathy and understanding across deep divides.
Generous listening arrives from the practice of taking oneself out of one’s comfort zone, knowingly exiting the echo chambers or ideological bunkers in which we exist, and making an active effort to listen to opinions, ideas, and experiences that may challenge us.
Generous listening leads to authentic connections and revelation. Through listening generously and working together to cultivate a culture of generous listening, we can transform the way we experience the world – Vuslat Foundation.
HOW IS GENEROUS LISTENING INTEGRAL TO WELLBEING?
We believe that listening plays a key role in the creation of a culture of wellbeing. A healthy relationship with self is essential for sustaining relationships with others and this in turn also affects the way we connect with our work and the world around us.
Wellbeing is the experience of wholeness and interconnectedness and derives from a lifelong journey of inner work and conscious and intentional choices.
Kindness, vulnerability, connection, and community can only be cultivated through the three pillars of generous listening: listening deeply to oneself, listening genuinely to one another, and listening sincerely to nature.
Through learning to listen deeply to ourselves, we can cultivate better mental health. Be it through self-compassionate approaches like spiritual practices, meditation, and journaling, or through seeking external guidance through therapy and more, we can embark on both self-development and self-acceptance. Only through some degree of self-awareness and inner peace, can we achieve compassion and empathy towards others. By opening the space and holding the intention to listen generously to one another, we overcome the modern epidemic of loneliness, forge authentic connections, and find paths to bridging cultural or political differences. Finally, we must listen generously to nature in order to value, preserve and seek refuge in the world’s natural environment which nourishes us and gives us life. Our common need and desire for security, safety, and belonging can be attained through cultivating a culture of generous listening.
HOW IS GENEROUS LISTENING INTEGRAL TO THE WORK OF SOCIAL CHANGE, GOVERNMENT, ARTS AND BUSINESS LEADERS TO CREATE LASTING SOLUTIONS AND SYSTEMATIC CHANGE?
Social change and inner wellbeing are deeply interconnected. Changemakers who dedicate their lives to working on some of the world’s most pressing issues must similarly demonstrate leadership in listening generously, both to themselves, to others, and to nature. To drive meaningful social change, changemakers must have an acute ability to listen to the needs and experiences of the communities around them. To consistently display the adequate courage and compassion to respond to the challenges of others, they must first and foremost possess a state of inner wellbeing. Through being able to listen compassionately and intuitively to oneself, changemakers will then be able to step outside of themselves to understand the viewpoints of others, gain a more holistic perspective, and tackle social and environmental challenges.
VUSLAT FOUNDATION AT THE WELLBEING SUMMIT
Vuslat Foundation is a global initiative that fosters a deeper appreciation of listening as the essential element of all our connections. The Foundation creates awareness about and spreads the skill of generous listening. Established in Switzerland in 2020, with offices in Istanbul and London, Vuslat Foundation works with artists, storytellers, changemakers and thought leaders. Through partnerships with academia, civil society, artists, and businesses; the Foundation develops knowledge, research, methodologies, and tools on generous listening, cultivates generous listening in the ecosystems of youth and children, and builds awareness and inspiration on generous listening–deeply aligned with the Wellbeing Summit.
Nikhil Chopra’s participation in the Summit involves a residency period and a 2-day long performance, during which the artist will engage in both everyday actions, and the creation of a monumental drawing and atmospheric mise en scene.
Location: Aldama Fabre
OPEN TO THE PUBLIC
Date: June 2 – 3
Time: 10am – 10am CET. 24 hour performance
On the second day, the performance will incorporate Bilbao’s citizens and Summit attendees around a celebration of community and art. The paintings, drawings and other objects created along these actions are a residual component of the performance. Bending gender, shape and identity, India’s best known performance artist uses personal history to question nationhood and existentialism.
Born in Kolkata and based in Goa, Nikhil Chopra’s art focuses on performance. The body becomes a tool and canvas for art. He is best known for durational performances in which he takes on the persona of different characters, inspired by personal familial history and national, regional and colonial histories.
Nikhil Chopra has performed and exhibited his art before a global audience since the mid 2000s. His art has featured in gallery and institutional shows, art fairs, and other major art events worldwide. In the live performance “Lands, Waters, and Skies” (2019), the artist worked in the galleries of The Metropolitan Museum of Art for nine consecutive days, adopting various personae and critically engaging with the museum’s collection and its organizational principles.
ESPAÑOL
La participación de Nikhil Chopra en la Cumbre implica un periodo de residencia y una actuación de dos días de duración, durante la cual el artista realizará tanto acciones cotidianas como la creación de un dibujo monumental y una puesta en escena atmosférica.
En el segundo día, la presentación incorporará a los ciudadanos de Bilbao y a los asistentes a la Cumbre en torno a una celebración de la comunidad y el arte.Las pinturas, dibujos y otros objetos creados a lo largo de estas acciones son un componente residual de la actuación. Doblando el género, la forma y la identidad, el artista de performance más conocido de la India utiliza la historia personal para cuestionar la nación y el existencialismo.
Nacido en Calcuta y establecido en Goa, el arte de Nikhil Chopra se centra en la representación. El cuerpo se convierte en una herramienta y un lienzo para el arte. Es conocido por sus actuaciones de larga duración en las que adopta la personalidad de distintos personajes, inspirados en su historia familiar y en la nacional, regional y colonial.
Nikhil Chopra ha actuado y expuesto su arte ante un público mundial desde mediados de la década de 2000. Su arte ha aparecido en galerías y exposiciones institucionales, ferias de arte y otros importantes eventos artísticos en todo el mundo. En la obra en vivo “Lands, Waters, and Skies” (2019), el artista trabajó en las galerías del Museo Metropolitano de Arte durante nueve días consecutivos, adoptando varios personajes y comprometiéndose críticamente con la colección del museo y sus principios organizativos.
SCIENTIA, Grimanesa’s work for the Wellbeing Summit in Bilbao, is a monumental, site-specific light sculpture that will be installed at the Atrium of Azkuna Zentroa, opening for the Summit and remaining in place throughout the summer of 2022.
Location: Azkuna Zentroa – Atrium
OPEN TO THE PUBLIC
Date: May 31 – August 30
Time: 9am – 9pm
Creating monumental sculptures often makes Amorós consider how our environment affects our state of mind and well-being. Her new site-specific light sculpture SCIENTIA will engage visitors in a dialogue with the surrounding architecture and community, encouraging moments of self-reflection and personal realization while simultaneously creating connection through the medium of light.
The project’s name SCIENTIA is a Latin word meaning knowledge and knowing, experience and expertise, but going beyond a personal understanding. The word implies a socially interactive activity, the seeking and sharing of knowledge. This artwork will explore the human connection using our elemental knowledge of the world: fire, water, earth, and light. Through this primordial immersion, SCIENTIA provides a means of accessing our emotional selves within a manifested mental space that nurtures well-being and promotes community engagement.
Grimanesa Amorós was born in Lima, Peru, and lives and works in New York City. She is an interdisciplinary artist whose diverse interests include social history, scientific research, and critical theory. A direct relationship to technology is one of the distinctive features of Amorós’ practice. Her works incorporate video, lighting, and technological elements to create monumental sculptures involving architecture and engaging communities.
ESPAÑOL ESPAÑOL
SCIENTIA, la obra de Grimanesa para The Wellbeing Summit, es una escultura de luz monumental y específica para el lugar que se instalará en el Azkuna Zentroa, que se inaugurará para la Cumbre y permanecerá en el lugar durante todo el verano de 2022.
La creación de esculturas monumentales hace que Amorós se plantee a menudo cómo nuestro entorno afecta nuestro estado de ánimo y bienestar. Su nueva escultura lumínica SCIENTIA, específica para el lugar, hará que los visitantes entablen un diálogo con la arquitectura y la comunidad circundantes, fomentando momentos de autorreflexión y realización personal y creando al mismo tiempo una conexión a través del medio de la luz.
El nombre del proyecto, SCIENTIA, es una palabra latina que significa conocimiento y saber, experiencia y pericia, pero que va más allá de la comprensión personal. La palabra implica una actividad socialmente interactiva, la búsqueda y el intercambio de conocimientos. Esta obra de arte explorará la conexión humana utilizando nuestro conocimiento elemental del mundo: fuego, agua, tierra y luz. A través de esta inmersión primordial, SCIENTIA proporciona un medio para acceder a nuestro yo emocional dentro de un espacio mental manifiesto que nutre el bienestar y promueve el compromiso de la comunidad.
Grimanesa Amorós nació en Lima, Perú, y vive y trabaja en Nueva York. Es una artista interdisciplinar cuyos diversos intereses incluyen la historia social, la investigación científica y la teoría crítica. La relación directa con la tecnología es uno de los rasgos distintivos de la práctica de Amorós. Sus obras incorporan vídeo, iluminación y elementos tecnológicos para crear esculturas monumentales que implican a la arquitectura y comprometen a las comunidades.
Filmed at the Institute of Fine Arts of Dhaka, Bangladesh, and shown at The Wellbeing Summit for Social Change, Daniel’s Fog Dog follows the daily and nightly activities of a group of stray dogs that live in the school.
Location: Guggenheim Bilbao
OPEN TO THE PUBLIC
Date: June 1 – June 3
Time: 11am – 7pm
The building was designed by pioneering Bangladeshi architect Muzharul Islam (1923-2012) and is characterized by the organic relationship between its interior and the surrounding green urban spaces. The dogs’ daily existence connects with many presences and signs – students and guardians, birdcalls and car horns, broadcasts, and spiritual entities – which coexist more and less harmonically with one another. The film is an exploration of interdependencies and how our attitudes affect everyone else – as such, it is a vivid and compelling commentary on the interconnected nature of collective Wellbeing.
Born in Barcelona, Daniel Steegman lives and works in Rio de Janeiro. From drawing to film, passing through
sculpture, installation and landscape interventions, Daniel Steegmann Mangrane’s work questions our relationship to the environment and invites the viewer to be physically involved in his projections and displacements. His video pieces and installations engage with the imagination of the spectator and often traces the boundary where nature meets artifice.
Daniel’s recent solo shows include Dog Eye, Kunsthalle Münster, Münster, Germany (2020); A Leaf-Shaped Animal Draws The Hand, Pirelli HangarBicocca, Milan (2019); Ne voulais prendre ni forme, ni chair, ni matière, Institut d’Art Contemporain de Villeurbanne, Villeurbanne (2019). His work has been also featured at the group shows Liverpool Biennial (2021); Taipei Biennial (2020); Concrete Contemporary, Museum Haus Konstruktiv, Zürich (2019).
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Filmada en el Instituto de Bellas Artes de Dhaka, Bangladés; Fog Dog de Daniel Steegmann Mangrané sigue las actividades diurnas y nocturnas de un grupo de perros callejeros que viven en la facultad.
El edificio fue diseñado por el pionero arquitecto bangladés Muzharul Islam (1923-2012) y se caracteriza por su orgánica relación entre su interior y los espacios verdes urbanos que lo rodean. La existencia diaria de los perros conecta con muchas presencias y señales (alumnos y guardianes, cantos de pájaros, bocinas de coches, emisiones y entidades espirituales) que coexisten más o menos armónicamente entre sí.
La película es una exploración de las interdependencias y como las actitudes afectan a todos los demás; como tal es un comentario vívido y convincente sobre la naturaleza interconectada del bienestar colectivo.
Nacido en Barcelona, Daniel Steegman vive y trabaja en Río de Janeiro. Desde dibujar, hasta filmar, pasando a través de esculturas e instalación e intervenciones paisajísticas, el trabajo de Daniel Steegmann Mangrane cuestiona nuestra relación con el ambiente e invita al espectador a estar envuelto físicamente en sus proyecciones y desplazamientos. Sus piezas de video e instalaciones conectan con la imaginación del espectador y traza la barrera donde la naturaleza se encuentra con el artificio.
Entre sus obras en solitario más recientes se encuentran: Dog Eye, Kunsthalle Münster, Münster, Alemania (2020); A Leaf-Shaped Animal Draws The Hand, Pirelli HangarBicocca, Milán (2019); Ne voulais prendre ni forme, ni chair, ni matière, Instituto de Arte Contemporáneo de Villeurbanne, Villeurbanne (2019). Sus obras también ha sido publicadas en exhibiciones grupales: Liverpool Biennial (2021); Taipei Biennial (2020); Concrete Contemporary, Museum Haus Konstruktiv, Zúrich (2019).
